To be a bit cliché, this shoemaker is a professional Web Developer and her child is this blog, but it was past time to launch what I have of a new design. All the content is still here, everything else is a work in progress (kind of like most of my sewing projects)!
Aside from the baby quilt I finished earlier this week, I’ve spent most of my sewing time lately on the various samplers and block swaps I’m currently involved in. My sewing space is a mess, but my design wall is rather colorful at the moment.
The final swap for this round of my bi-monthly LQS block swap is a 6″ Ohio Star signature block for each member (10) and however many sets of three 6″ piano key blocks we want to use for our final layout. I’ve finished four of the signature blocks and 20 piano key blocks (out of 44 that I plan to make at this point). My other stars will use different fabrics from the four completed ones (seen in the blue/purple/green/orange piano key set), while the other piano keys will be made mostly of the same fabrics used in the previous swap blocks.
Rounding out the wall this week is another block for the Modern LQS sampler, and another for the SYWTQ Amish-esque block. Because we traveled over Easter weekend, I didn’t make it to the other sampler meeting, so I should have two to finish next month.
I’m currently working on three different sampler quilts (not to mention last year’s, which I still need to piece), and I oddly have the blocks up on the design wall for some reason (I’m usually good about putting them into their proper locations), so I took a (bad) photo.
One is with the Sew You Want to Quilt group, focusing on Amish blocks (I use the term loosely, based on research) in our own choice of colors. I have a few of those done, although I am still behind on one block from early February.
The other two are monthly Saturday Samplers (well, one is on Thursday nights) at the two closest LQSs. For those unfamiliar with the Saturday Sampler concept: you pay a registration fee ($10-15 seems standard) which covers a kit of the fabric for your first block at the first meeting. From there, if you continue to bring your completed block from the previous month to the next meeting, you continue to get the kit for the current month free of charge. If you can’t make it to the meeting, you typically have to purchase the missed month’s kit. Some shops give you a discount on the first kit you miss, some give you one free pass, some give you an incentive to finish the top before the next cycle starts, etc. Some give you all the individual pieces cut out, some give you strips and squares to cut and chain piece, some just give you chunks of fabric to cut everything out yourself. My two shops each have their own quirks, and sometimes the rules and procedures even change year to year.
Even though I’m not absolutely in love with the fabric choices and styles of either, I do greatly enjoy the social aspect—an hour each month to meet up with other local quilters, learn what the shops have to offer in the coming month, and see the creativity of everyone in what they bring to show and share.
I’m going to have to get creative with layouts for 12″ blocks though, that’s for sure!
After I posted this top back in January, I went a bit incommunicado about it, as I decided to submit it to the Great Lakes Seaway Trail “Beauty of the Byways” show this year. I finished it with nary a minute to spare, so I don’t have many photos of the details, nor of it hanging, but here’s an overview.
Each submission to the show must have a story:
While some say you should travel a byway to see the “simple life”, my journeys on byways around the country have been for the opposite reason; sometimes I need a break from the repetitive, “simple” driving of the Interstate System and long to see the complexities of agriculture, forests, seaways, rivers, and hundreds of small towns. Driving on Ohio’s Amish Country Byway may find me slowed by a horse and buggy, but the leisurely pace gives me time to admire the rows of corn in fields or meadows of flowers along the road.
The piecing of my quilt is not intricate, but to call it simple belies the involved process of creation—from choosing the colors of fabric and thread, to the complexity of each stitch holding the three layers of cotton together. It is plain, but sometimes the monotony of life’s daily bustle calls for slowing down and enjoying the “simple” complexity that you can find when you turn off the more often-travelled path—whether it be a break from quilting projects of many pieces to work on something inspired by the Amish or taking time to drive along a byway and admire the sights.
The pattern is mine, but it is strongly influenced by quilts made by Amish women in Pennsylvania and across the Midwest in the late 19th Century, now in museum collections.
The title comes from the color scheme, one I found for yarn somewhere on Pinterest. They called the scheme “Shakespeare”, so I ran with that. It’s “an English interpretation” because English is what the Amish call non-Amish. The colors are Kona Coral, Kona Regal, Kona Hibiscus, Kona Moss, and Free Spirit Citrine.
The back is another Amish-inspired composition using the purples from the front (Regal, Hibiscus) and Moda Bella Thistle. It’s a little off-center, but not crooked, so I call it a basting win. Considering that I cut 7 of the 12 pieces incorrectly when putting it together, I should also call it a miracle.
I hastily applied a handwritten label to one side, but once I get it back, I’ll put a better one on.
It’s quilted in a charcoal thread that I had leftover from the Cyclist quilt; many sources on Amish quilts say that their quilting was done in black at that time, so I chose to use a dark thread rather than matching to the colors of the quilt.
Pellon Nature’s Touch in the middle gives it a nice drape and warmth factor. I didn’t wash it before the show, but can’t wait to do so once I have it back in my hands.
The binding is wide and non-mitered—another nod to the Amish tradition. I chose Hibiscus, as I wanted to put it next to the Regal as a way of giving the inner pieces more contrast. In certain light, the Hibiscus and Regal photograph very similarly to each other when they are in different areas of the quilt.
It’s also Moof approved, but I’m starting to think he’s just a sucker for soft quilts on wood floors.
I don’t think this is the last of my experiments with color schemes and Amish Bar quilts!