To be a bit cliché, this shoemaker is a professional Web Developer and her child is this blog, but it was past time to launch what I have of a new design. All the content is still here, everything else is a work in progress (kind of like most of my sewing projects)!
I mentioned early on that I wanted to try drafting a bifurcated skirt out of a period tailoring manual. I’m still doing that, sort of. Except, I’m also kind of cheating, because I realized that if I enlarged this one:
…so that the front measurement (line C-G) was the right length for my models, it worked out that the waist was also right (in other words, the measurements I needed to draft to are pretty much correctly proportioned to the book’s draft).
I spent my National Sewing Day taking advantage of the lovely weather to do some much-needed leaf raking, then sat on the porch and made progress on my Tula quilt’s binding. I still haven’t photographed my underpinnings and gown (show is tomorrow), but here’s a few of my shoes.
After deciding against the American Duchess shoes, and Moof chewing my half-finished pink attempt, I still found myself in need of shoes for the show. Target no longer had the pink ones, so I couldn’t continue in that vein. I finally decided to go back to my original plan of gussying up a pair of black flats I purchased a few years ago and have practically worn out (I stopped wearing them a while ago, but never got around to throwing them out). Some of the wear will be hidden by the decoration anyway, so it’s a good compromise.
After making proper drawstring channels for my gown and sewing my petticoat straps on (they were pinned on TV), I decided that my outfit needs one more addition: a reticule. After all, I need a way to hide my very un-period keys and cell phone.
My copy of the Mantua Maker 1800 -1820 Regency Corset Pattern came, so I started working on my first mockup of the corset to wear under a regency gown at the 1812 Quilt Challenge show in March. When I was in highschool (the last time I really did a lot of garment sewing), I could somehow get away with cutting straight into my fashion fabric, but now, eight years and 40lbs later, that would have been a very dangerous proposition. So here is what happens when you try to make the pattern with no alterations for someone with size 16 measurements, larger-than D cup breasts, a short waist and a lot of squishability.
Though I haven’t been able to sew much lately, I’ve been thinking about my 1812 Quilt (and the fact that I really need to get started on it) quite a bit. I finally have all the fabrics I think I’m going to use, a plan, and after a bit of tea-dying, my medallion is a bit closer to the color I’d hoped to have.